Uprooted from home, a small boy finds himself on a poignant rail journey in Departing, my story, with twenty-seven others, in a month's worth of fiction, memoir and poetry that can be enjoyed during a 20-30 minutepublic transport commute. Don't miss this second issue of commuterlit selections: buy it here Only £9.13 £7.76
I would love her was commended and here I am reading at the awards event in March 2014, though somewhat dazzled by the stage lights! It took place at the Friargate Theatre, a cosy place which hosted all the winners. And what a lovely bunch of readers and poems we heard - it does make such a difference when you hear poems and see them on the page. This poem,inspired by an encounter on Headingley rail station platform, is here for you to read (scroll down low). The station stands higher than the surrounding allotments and houses - all were covered in deep snow. A snow figure had been neatly built on one of the red metal seats. No one else was around when I arrived and all was eerily quiet.
Though
she is bounded by ‘brick fields’ – expanses of half-obliterated houses not cleared
after the war – she enjoys their serenity away from the bustle of the shops, the
ordnance factory nearby or the din of children in the school playground. So after her daily visit to the greengrocer’s
she puts away potatoes, cabbage and onions into the pantry and ventures out to
walk as if she were a Bedouin searching for water in a desert. An excerpt from my Adult Fairy Tale competition entry to Writing magazine. I thought it would be fun to try a new genre and it was - but challenging to keep within the boundaries of a traditional form as well as the word count of 1500-1700 words. The story follows the trials of a family from the 2nd World War through into the 60s, wrapped up in a magicalending. I'm glad I've had a go at this even if I don't get anywhere in the comp. Ok, yes, I would like to see it win too!
Inspired by the UK Guardian newspaper's Poster Poems Found Poems online feature in August 2013, I composed a poem, further inspired by the Country Diary of August 2013 in the same paper, entitled Redstart. Tried to put in a link without success.
How does your writing reflect your social and political views? And what do you think about the passing of a former prime minister of the UK? To answer the second question: I'm more interested in the injustices she created and how to oppose them. Polemics are not my thing these days but observation on what is and what needs changing sits in much of my writing so I would really recommend this thoughtful piece by Dinesh Allirajah who was my creative writing tutor on the Lancaster online course (not offered any more, sadly). It is a cogitation on the 80s - and particularly Blair Peach's killing, which I remember so well.
Photo - Bollards - courtesy of the National Library
of Ireland, on flickr Creative Commons
Do you ever wonder where your thinking has migrated? It could be my age, I do realise that. But having put up a link to the Poetry School - who ran the poetry of protest workshop I attended, tutor Antony Dunn - I cannot now find any reference to the napowrimo. So here is another link for the US site: nanowrimo to get your prompts on.
Double publishing success is my excuse for two postings today. My story, Longing, has at last found its niche on a Canadian ezine, commuterlit, http://commuterlit.com/2013/04/thursday-longing/ It might make your mouth water! One or two poems should also appear in an e-anthology to be published by the Workers Educational Association, in the future. Our creative writing class, where I was a student, joined up with another to perform at this year's Headingley LitFest. The pieces we performed are to go into the anthology. So watch this space. Amendment: sadly this publication did not come to fruition.
NaPoWriMo was born in 2003 but is being promoted by the Poetry School, encouraging poets to write a poem a day in the month of April. Even if I don't write every day I've made a start here. A couple of weeks ago I climbed the steps to a lonely suburban station in northern England, in a snowy landscape. No one else was around apart from this figure on a seat. I did a double take, as did another woman who followed me on to the platform - we both laughed. Then and old friend appeared who I hadn't seen for about three years - a lovely surprise. She laughed too. Sadly my phone was out of battery, so no photo of the figure herself. Then the train came. I WOULD LOVE HER
I would love her cold white stillness on the platform seat. I would love to travel with her ticket stuck in her like a receipt. I would love to cuddle her knowing she is only a conceit. I would love to sit with her until
she melted in my heat. The snow woman looked so calm, at the lonely station, so neat. Whose frozen hands had formed this fabulous feat?
Stuck for starting a new short story so I'm trying to sit back and let things happen. One way: I'm looking at the kickstart ideas and stories that I've noted and written before. Perhaps I should look at the words I use most commonly to see if I need to make any changes. That reminded me of the Wordle website. So I put in one of my stories and here is the result, showing the words most commonly used in bigger print:
Emley Moor Mast: a signpost that you're now in Yorkshire when travelling up from the south
Two rejections letters from BBC Radio, and Carve online! And I actually feel pleased because it's the first time I have submitted work - not a competition as such. So now I feel more like I'm on the path to becoming a proper, professional writer!
Into the 3rd week of a new poetry class with Sally Baker. At the end of 10 weeks I hope to have a sonnet to my name. Not tried this before.